en boco cerrada, no entran moscas
scene: we are at the public pool at dawn and the surface
tingles with life
it is still blue when he dives in though half-expectedly i wonder
if the color will drain from the pool as in his face
black box theatre
when we enter it’s morning
when we emerge it’s dark
scene: en boco cerrada
and i close my mouth, a drive up, deep into the mountains
in the dwindling shades of this country, there are no flies.
scene: no entran
they’re not going to come, they’re not coming.
they haven’t come once. I conjugate this in my head endlessly,
until the verbs become mush.
it’s the kind of thing you contemplate briefly for your first tattoo
i figure (I wouldn’t know) that after the first, the rest are less critical
shadowed, or simply a phrase
sluiced through skin like dad’s body through the water
what happens to the flies?
i was chest-deep in the blue, but by then it was too late
i had opened my mouth and the flies swarmed in


Day five.

I am five days late and a dollar short.
I am five days late into an exercise,
a blooming of the brain that will not cease,
Late into the looming overlap of a year that took, in succession-
beautiful love, beginner’s tennis, the boasts from my mouth,
the purrs,
oh god, the purring.
There’s an animal on the other side of the door, and he knows when I’m using
that voice
He knows when I don’t give a shit and he cries all the same.
I am a dollar short; I am short; I shorted,
I snorted my way to the bank and I survived,
I am one month, ten days, and an hour, give or take,
into a tenure enforced by my own self-care, into a purgatory where I imagine
only the smallest things- driving up 290,
driving it in,
coffee-coffee stained mugs, light on beams.
The purrs.
Oh, the purrs.


On losing your religion.

My shirt ripped at the seams all day; I could hear it tear at the office every time I moved or sat down or visited the large goldfish and their gaping maws at the fish tank at the front of the receptionist’s desk, contorted at the corners of the glass. I unbuttoned every button with a near-carnal relish as I turned on the highway, soared through the merge with my binder luridly out and I cranked the stereo. These are the moments I look toward.

I thought about playing my tired list of saved songs on the ride home but I saw Andrew Jackson Jihad’s new album and risked spontaneity. I never wanted to listen to them again after their name change, I never wanted to hear Sean Bonnette’s voice after Orlando, anything and everything made me sick to my gut just to think about; not just the hollow sentiment but everything in between it, from the crashing violence to the meaninglessness of it all.

I don’t know how to feel about a compilation of songs that didn’t make me feel anything. I don’t know how to lend definition to music that had given me breadth and love, a whisper in my ear that told me the things that sucked would be okay, and the things that were okay might get a little better. This album stagnates with the piss and vigor of a dead blog; with the lack of passion and stilted verbiage that recants the boredom of high school. Fuck those constant celebrity references, fuck those cutesy choruses; you’re in the mass now and you’re drinking the wine. Even when I was doing 85 on the highway, I felt nothing. Even when I was cursing at the slow-ass Forester in front of me, it ceased to invigorate, impassion, break, permit, do. 

None of the lyrics warrant even a Facebook status; so it’s hardly a seminal Christmas album like my klonopin bender of 2015, crying down the highway to Christmas Island knowing that deep in my heart, I could access my childhood through those lyrics. This, it’s barely a paper cut on the surface of my memories.

When you deny your name, you lose something precious. Somewhere buried deep inside all of the Girls references and twitchy strummed E-minor chords and scratching aged transition to Satan, it’s in there, but it’s not coming out again. It’s Weezer, it’s Mick Jagger’s sagging skin to a sold out football field of nostalgia. It’s the latest fucking U2 album. Punk isn’t dead, but its people are aging. They’re slowing down, their gait is no longer graceful.

It’s gone, whatever beauty gave them power in the core of my soul. And when the album ended abruptly I thought my phone had shut off or my speaker had died, and I glanced down and realized that I just didn’t care. It was over. Ninety minutes later, I don’t even remember what they played.


(#30) On endlessness.

Prompt: write a poem, flip it on its head. Thank you for reading.

consider and execute
consider the ones we love
consider our next move
before we gaze into the dizzying skies and
we have a 24h holding period
on imaginary mergers
on shaky firmaments
we have the right structure
nomadic wandering,
we were never meant to cease
but we are a transitory breed,
in one direction
before chaos erupted and you ran
you were standing in a pastoral field
do not forget the time
and the voices that tell us not to go.
listen to the man who tastes sounds
we will justify,
we will bargain for the safety of the weinsteins,
we want to believe the fox has made a sandwich,
root to achieve
like infants we harbor a deep-seated
than the meaning we put to them
the dreams we hold feel less powerful
hauled at the end of an era
in a dusty file cabinet dented and
stored on a database
that we are all two-dimensional information
that the universe is a hologram,
open the door,
do not be afraid
do not be a stranger
open the door.


(#28) On a pretty damned bad night.

Prompt: there is no prompt, only man. I’m going through prescription pill withdrawal. It’s serious business.

It is a prisoner’s dilemma.
I did not want to die- much less
alone and from a dependency
to prescription pills
and online shopping.
Extinguished by the heaving of my own lungs.

The club- I mean, hotel,
I mean, facility,
Where suicides coexisted
with Truman Capote’s morning
vodka and orange juice
was tempting.
A respite from the world,
Giving back the remote control
to better hands with more refined
and cuticles.
I thought about learning tennis,
briefly, again.

I cannot take another pill
but if I don’t take another,
The world threatens to get
bigger or smaller,
smaller and smaller,
Until I dissolve back into
its molecules, my own bloodstream.

I am soothed
by my purchase
of a German stuffed snake
with extreme anxiety
and a fixation on a maraca,
that stands in for a pill bottle,
that metastasizes as a rattle.

I am wracked
by the thought
that it will arrive long after
I have jumped off the train
the 3am subway rocking back to Brooklyn
where everyone is quiet
and nobody says a word.

I did not want to live- much less
live in a world
where the pills controlled me,
I did not want to thrive
Without their gift.
They did not want me without
them, I slammed the door
I awoke with a bang to the sound,

I am strumming the SSRI ballad,
The ones that keep me awake enough to function.
The ones that made me fall asleep
in the middle of a brisket sandwich
on rye,
I am wailing the benzodiazepine blues,
I tell the cat, ‘we’re not well,’
as she circles around my endless spirals,
I whisper the tune of narcotic
alt-rock trance haze into sleep,
the ones that abandon me halfway
between a dream and a hard place,

Mother, do you feel safe?
I am not worried about hurting my body,
I am paralyzed with fear
that my body will hurt me,
Surrounded in the box 11.5 inches tall
there are faces, they are smiling,
there are admissions of guilt
and Yelp reviews of hospitals,
there is a world- there is a world.

Half a pill is all it takes,
I feel it go straight to the heart,
I can visualize its journey through veins, through
the liver, in the bloodstream,
settling into my brain,
My father tells me to stay loose,
He is surprised I cannot
pull my shit together,
as one says.
He is tapering off
the less I yell,
I am titrating
the conversation.

I don’t know about you,
but I intend to write
a strongly worded letter
to the White Star Line
about all of this.

My ship is sinking,
I’ll either tough it out
or breathe heavily on the phone